Keg de Souza
Keg de Souza, image by Bryony Jackson.
Keg de Souza is an artist of Goan ancestry who lives and works in Sydney on unceded Gadigal land and uses mediums such as; temporary architecture, food, mapping and dialogical projects to explore the poetics and politics of space. This investigation of social and spatial environments is influenced by formal training in architecture and experiences of radical spaces through squatting and organising as well as her experiences of colonisation, from her own ancestral lands being colonised to living on other people’s unceded lands. Keg often creates site and situation specific projects with people, with an emphasis on knowledge exchange. These often manifest as temporary architectures that become framing devices to host pedagogical platforms, centring voices that are often marginalised, for learning about place. Keg is a PhD Candidate in the Wominjeka Djeembana Research Lab; MADA, Monash University.
Exhibitions and projects include;
Convivial City, Open Plan Commission, South London Gallery; Common Knowledge and Learning Curves, Griffith University Art Museum, Brisbane and Artspace, Sydney; The National: New Australian Art, AGNSW; 20th Biennale of Sydney and Setouchi Triennale, Japan; Temporary Spaces, Edible Places: Vancouver and Preservation as part of a multi-year project with Contemporary Art Gallery, Vancouver; Temporality in Architecture, Food and Communities, Delfina Foundation, London; Temporary Spaces, Edible Places, Atlas Arts, Isle of Skye and If There’s Something Strange In Your Neighbourhood, Ratmakan Kampung, Yogyakarta; 5th Auckland Triennial, 15th Jakarta Biennale and Vertical Villages (with ruangrupa) at 4A Centre for Contemporary Asian Art, Sydney.
Not a Drop to Drink, Refuge, Arts House, 2021, image by BryonyJackson.
Convivial City, 2019, Pelican Estate, image by Andy Stagg
Edible stories from the food bowl, 2018, rubber stamp & felt tip marker on paper